Monday, September 21, 2009

Thursday, August 27, 2009

Sunday, June 21, 2009

Ansikte



How wonderful is this one! My big sister found it on Skånegatan in Stockholm.

Monday, May 4, 2009

Side of a van



Found in Banyuls sur Mer, France

Thursday, March 26, 2009

Wednesday, February 25, 2009

Wednesday, February 11, 2009

Monday, February 9, 2009

Wednesday, February 4, 2009

Monday, February 2, 2009

I caught one of my elusive artists at work today:























Friday, January 30, 2009







Grey finds on a grey day. And my favorite painting got tagged!

Thursday, January 29, 2009


Recent reflection photos sent from Amelia (not here) reminded me of my subway photos from a couple years ago. Diffuse, obscure, enigmatic? Or maybe just indecisive and ambiguous... In any case, I had three of these printed out big on canvas (VERY expensive) and am experimentally painting on them - trying to add some solidity to rest the eyes on. So far it's going badly and I'm making some expensive screw-ups.














Tuesday, January 27, 2009

Got this one from my girl Amelia too (Sanguinetti A!). I love that it's a plywood print in concrete. The organic wood print on the "leaves" is wonderful.

Monday, January 26, 2009

Sunday, January 25, 2009


Sunny side, shadow side

Friday, January 23, 2009



Thank you Laurie and Amelia for sending me this one (and MN pretty much counts as a Swedish suburb)!

Thursday, January 22, 2009

This one I collected in Göteborg, near my sister's house.

This line has been on the wall under the train station at Täby Centrum for over a month now. I can't imagine how it was made, but I hope it stays for a while longer as I admire it so much when I walk by. Better than any line I've made on purpose (http://www.emmaeyre.com/)







Horizontal lamp posts



Horizontal lamp posts

Göteborg profile with tophat


























I wonder why graffiti is for the most part so boring. Tags are scribbled quickly, partly because writers don't want to be caught, and partly to achieve that effortless grace. I get that (I think most of us try for the same quick elegance with our signatures), but why is so much of it in the same style? Even the big, colorful, labored pieces are too similar in style. Why aren't there street artists who try for some other approach with paint (I have seen a few fresher things, but few and far between)? There must be many ways to apply spray paint. What about realistic, or expressionistic graffiti paintings? Are graffiti artists so true to the form and tradition that they prefer not to break with the accepted styles? Seems strange that folks who enjoy the thrill of illicit 3 a.m. painting would be so bound by custom.

A couple years ago, I did a small graffiti project based on the comment I heard from so many people: "I like graffiti, as long as it looks nice." I hung up some "nice," framed watercolor paintings around town, and glued a couple of nice oil paintings up in the subway (they were paintings of people riding on the subway). There were 11 paintings in all, and I'm not sure what became of them...